Charles Yu’s critically acclaimed second novel Interior Chinatown is “satire at its best, a shattering and darkly comic send-up of racial stereotyping in Hollywood…presented, perfectly, in the sharply hewed format of a screenplay” (Vanity Fair). Winner of the 2020 National Book Award for Fiction, the novel is "a moving exploration of race and assimilation" (San Francisco Chronicle), "both rollicking entertainment and scathing commentary" (Booklist), and "a parable for outcasts feeling invisible in this fast-moving world" (Kirkus Reviews). It tells the story of Willis Wu, who has only ever been cast as the Generic Asian Man. Consigned to bit roles in the background of a procedural cop show, he dreams of playing Kung Fu Guy, the most respected role that anyone who looks like him can attain—or so he has always been told. The novel “recalls the humorous and heartfelt short stories of George Saunders, the metafictional high jinks of Mark Leyner, and films like The Truman Show (New York Times).